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This daring raid by Man Singh's gang on the house of a wealthy jeweller on the wedding day of the man's daughter - it coincides with June 25, 1975, the day Emergency was promulgated in India, a fact underscored by Indira Gandhi's voice announcing the move over AIR Akashvani and the slogans on a van parked at the site propagating the Prime Minister's 20-point programme and not only asserting 'Inki ladaai hamaari ladaai' but also exhorting people not to fall prey to rumours - "dheeli baatchit se bachiye". The other, Vakil Singh (Ranvir Shorey), chooses to follow his leader unquestioningly. One of his two most trusted men, Lakhan Singh (Sushant Singh Rajput), warns him of the grave perils that lie ahead. One of the key plot points in the film pertains to the character of Man Singh (Manoj Bajpayee in an outstanding special appearance) making a fatal sortie driven purely by a call of conscience. What is instantly noteworthy about Sonchiriya is that the scalding portrait of patriarchy and prejudice that it paints, despite being set well over four decades ago, is still disquietingly relevant.Įqually interesting in this tale about guilt and expiation - here, lives have to be put on the line every day and every hour in the pursuit of self-preservation - is its strong ethical underpinning. But this is, at the same time, a place where rape and repression are rampant and women are doomed to a veiled, voiceless existence.
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The stench of death and fear pervades this unflinching probe into the pitfalls of rebellion and maleficent masculinity that seeks blessings from a Mother Goddess - Maa Bhavani - the reigning deity of the Chambal Valley. Sonchiriya announces its intentions even before the light goes up on the screen - the buzz of flies on the soundtrack leads us from a dark frame to an extreme close-up shot of a dead snake lying in the path of the Thakur gang. Memories of an involuntary bloodbath that they caused in a Gujjar village haunts the dacoits, defining their subsequent acts of both desperation and redemption. His men are deeply conflicted individuals who have rebelled against a society that has cast them aside - they repeatedly talk about their sorry plight and, in their softer moments, allow themselves to dream of normalcy after they have surrendered and served their prison terms - and inevitably have to grapple with the moral dilemmas that attend violence and its aftermath. In one scene, an arms smuggler offers them better weapons - Rs 35,000 for one and Rs 60,000 for two, remember that the period is the mid-1970s - but the chief of the dreaded gang of Thakurs is too strapped for cash to go for the deal. They survive on frugal meals and their weapons are at best merely functional. The outlaws that this film is about aren't glamorised fugitives riding around on sturdy stallions like knights in shining armour.
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Sonchiriya Movie Review: Sushant Singh Rajput, Manoj Bajpayee and others in a film still (Image courtesy: Instagram)īajpayee's is a class act yet again, Rana smoulders with intent, Shorey is fire and brimstone, Rajput exudes anguish and determination in equal measure and Pednekar claims her space in the male-dominated cast and forbidding setting with a measured turn that evokes life-affirming, ennobling compassion. It is an astoundingly unblemished ensemble show. The actors at Chaubey's disposal - the known ones (Manoj Bajpayee, Sushant Singh Rajput, Bhumi Pednekar, Ashutosh Rana, Ranvir Shorey) and the not-so-known ones (Jatin Sarna, Harish Khanna, Sanjay Shrivastava, seasoned theatre actors all) - merge themselves so seamlessly with the milieu of this shot-on-actual-locations saga that they do not seem to be performing for the camera but actually living and breathing the parts.
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It draws the themes of crime and retribution, caste and gender, despair and redemption into the near-mythic, overarching sweep of the narrative. The film completely upends the conventions of the genre. Cast: Sushant Singh Rajput, Bhumi Pednekar, Manoj Bajpayee, Ashutosh Ranaĭirector and co-writer Abhishek Chaubey, working with a superb screenplay by Sudip Sharma and aided by first-rate camerawork (Anuj Rakesh Dhawan), editing (Meghna Sen), sound design and background score (Bendict Taylor and Naren Chandavarkar), crafts a disturbing, unvarnished cinematic portrait of violence and its repercussions in Sonchiriya, an immersive dacoit drama set in the harsh, dusty ravines of Chambal in the 1970s.